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"Moore's mournful musical language combined with his gifts as a theatrical sound designer create quite an intriguing concert experience."
-Rob Hubbard, Pioneer Press full review |
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triangle (2020)
string quartet and tape apsis ii (2020) piano four hands and tape for line upon line (2020) video circle (2018) string quartet, 6 channel tape, feedback PVC tubes, and DMX lights tap (2018) percussion trio, tape, and DMX lights still motion (2017) percussionist and live video sampling hold (2020) tape feed (2018) bassoon, live processing, no-input-mixer, tape, and DMX lights column (2019) 142 speakers, DMX lights, feedback saxophone, saxophone with embedded electronics. patina (2018) orchestra it teaches us that it doesn't exist (2016) cymbal and feedback hollow (2018) feedback saxophone and feedback PVC tubes FEATHERMUCKER (2015) mezzo soprano, guitarist, and laptop Solstice Orrery (2017) video design, music by Scott Miller shadow (2018) saxophone, no-input mixer, and DMX lights APPETITE (2017) Ted Moore and Charles Campbell (Skewed Visions) Sound Design, Video Design, and Performance if two things don't fit, but you believe both of them, thinking that somewhere, hidden, there must be a third thing that connects them (2014) tenor and alto saxophone, mezzo soprano, and laptop APSIS (2016) spatialized ensemble: flute, alto saxophone, cello, & percussion + laptop + live generative video design by Ted Moore eclipse (2014) tenor saxophone, live processing, and live video thread fork thread (2015) alto flute, tenor saxophone, viola, and percussion the curve is exponential (2017) carillon and tape samara (2014) string quartet and alto flute feedback V (2017) for any number of performers with small sound-making objects Persephone (2014) live dance, viola, tenor saxophone, percussion, piano, and laptop Transliteration Series (2017-) score/book leviathan (2014) bass clarinet, two vases, and laptop fiery walls (2012) trumpet and live electronics |
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