"an impressive achievement both artistically and technically"
-Jay Gabler, VitaMN
full review
"Moore's mournful musical language combined with his gifts as a theatrical sound designer create quite an intriguing concert experience."
-Rob Hubbard, Pioneer Press
full review
apsis ii (2020)
piano four hands and tape

for line upon line (2020)
video

circle (2018)
string quartet, 6 channel tape, feedback PVC tubes, and DMX lights

tap (2019)
percussion trio, tape, and DMX lights

still motion (2017)
percussionist and live video sampling

hold (2020)
tape

feed (2018)
bassoon, live processing, no-input-mixer, tape, and DMX lights

column (2019)
142 speakers, DMX lights, feedback saxophone, saxophone with embedded electronics.

patina (2018)
orchestra

it teaches us that it doesn't exist (2016)
cymbal and feedback

hollow (2018)
feedback saxophone and feedback PVC tubes

FEATHERMUCKER (2015)
mezzo soprano, guitarist, and laptop

Solstice Orrery (2017)
video design, music by Scott Miller

shadow (2018)
saxophone, no-input mixer, and DMX lights

​APPETITE (2017)
Ted Moore and Charles Campbell (Skewed Visions)
Sound Design, Video Design, and Performance

if two things don't fit, but you believe both of them, thinking that somewhere, hidden, there must be a third thing that connects them (2014)
tenor and alto saxophone, mezzo soprano, and laptop

APSIS (2016)
spatialized ensemble: flute, alto saxophone, cello, & percussion
+ laptop
+ live generative video design by Ted Moore

eclipse (2014)
tenor saxophone, live processing, and live video

thread fork thread (2015)
alto flute, tenor saxophone, viola, and percussion

the curve is exponential (2017)
carillon and tape
​
samara (2014)
string quartet and alto flute
​
feedback V (2017)
for any number of performers with small sound-making objects

Persephone (2014)
live dance, viola, tenor saxophone, percussion, piano, and laptop

feedback vii: speak, contain (2017)
wind quintet, feedback, and tape

Transliteration Series (2017-)
score/book

leviathan (2014)
bass clarinet, two vases, and laptop

fiery walls (2012)
trumpet and live electronics

BINARY CANARY

laptop-woodwinds improvisation duo
"In Binary Canary, Hutchins and Moore display their individual virtuosity, and group musicianship to create a cohesive product.  'click/blow' is well worth the listen" -signalsforimages.com
read full review

it teaches us that it doesn't exist

FEATHERMUCKER (excerpt)

if two things don't fit...

APSIS